Purana लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
Purana लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं

रविवार, 14 जून 2015

Shiv Puran - PDF Downloads (Shiva Purana)




The Shiv Puran (or Shiva Purana) available as PDF downloads in English, Hindi, Sanskrit, Telugu and Kannada.
PDF Downloads
Sanskrit
Hindi
Telugu
Kannada
 (You will need djvu reader to read this file. It's free and available here.
English
 Part 1 & Part 2 (Only the first two volumes can be read online).
More Shiva Resources
   
Vairagya is a collection of sacred chants that include Nirvana Shatakam, Aum Namah Shivaya and Guru Paduka Stotram. The chants are available as a free android app, and as mp3 downloads. The mp3s also include a free ebook, "Shiva - Ultimate Outlaw" by Sadhguru.
Book Details
English
The Shiva Purana
by J.L.Shastri Ed.
Motilal Banarasi Das, 1970
Kannada
Sri Siva Purana
by Manohara Deekshitaru
Telugu
Shiva Puranamu
Veera Raju
1929
About the Shiv Puran
A purana is a story about the deeds and life of a deity. They are part of the mythic literature of Hinduism, together with the epics like the Mahabharata and Ramayana. Traditionally, there are 18 Puranas, and a few lesser Puranas or Upapuranas. The 18 major Puranas include the Skanda Purana Padma Purana, Naradiya Purana, Shiv Puran, Varaha Purana, Vishnu Purana, Garuda Purana,

शनिवार, 26 जुलाई 2014

Lord Shiva - The Destroyer



Shiva at the Madurai Temple.
Lord Shiva is perhaps the most fascinating of all the characters in Hindu mythology. In the West, he is often seen as the god of destruction, who works in conjunction with Brahma the creator, and Vishnu the preserver to ensure the proper birth, functioning and dissolution of creation. But this is only one aspect of his multidimensional nature. He embodies many seemingly contradictory elements. Shiva is the Adiyogi, the first yogi, who first transmitted yoga to humanity. This transmission to the Saptarishis was the first exploration of the yogic sciences. So he is the Mahayogi, “the Great Yogi,” yet he is also a Dionysian figure and the most passionate lover.
Ascetic and Householder
As Nataraja, he is the “Lord of Dance,” as Akhileshvara, he is the Lord of Stillness. He creates the universe in a wild dance of frenzied joy, his hair streaming out behind him like the rays of the sun. He destroys the universe with his Rudra Tandava, bringing one cycle of creation to an end. As Maheshvara, “the Great Lord,” he is worshipped as creator of the world and the giver of esoteric knowledge, while as Mahakala, “Transcendent Time,” he represents both the irresistible march of time and the eternal present that nullifies it. He is the supreme ascetic whose body is smeared with ashes, meditating in the Himalayas, indifferent to the world. Yet he is a husband and householder as Parvati’s husband and Ganesha’s and Karthikeya’s father.
Fearful Yet Beautiful
Shiva as Bhairava, who ripped of Brahma's fifth head.
Lord Shiva also has his fearsome aspect. He is the wrathful Bhairava, “the Terrible,” garlanded with serpents and the skulls of his sacrificial victims, with glaring eyes and pointed fangs. Bhairava haunts the funeral pyres and cemeteries in search of devotees, to whom he teaches occult secrets of left-hand tantra. Shiva is the supreme aghori, living a life beyond terrible. Yet he is Sundareshwara, the most beautiful one.
In his form as Bhuteshvara he is “Lord of the Elements,” who has complete mastery over the Pancha Bhutas, the five elements of Earth, Water, Fire, Air and Space. He is considered the origin of the ancient Indian martial art form of Kalaripayattu, and also of the medicinal system of Siddha. Lord Shiva, in fact, embodies the limitless possibilities of existence, reconciling life's complementary aspects into one dynamic whole. In the Mahabharata story, Shiva is praised: “You are the origin of the worlds and you are Time, their destroyer.”
Shiva is the personification of the process of dissolution and re-creation that is constantly at work from moment to moment. He is life itself. He embodies the dynamism and change inherent in life. “All flesh is as grass” – even the things we consider permanent such as the mountains, the oceans, our own personalities, all are in reality transient As befits the god of change, pulsating with vitality, he is the personification of the unconscious mind, which is at once a Pandora's box and our greatest treasure. As the teacher of the ancient techniques of meditation, he shows us the way to uncover the wellsprings of our inner life.
Shiva’s Form
Shiva is portrayed in many forms, depending on which aspect is being represented. Generally speaking, though, he will be shown with four arms, signifying universal power and the four directions of space. He is generally seated on a tiger skin, either naked or with an animal hide to cover his body. The crescent moon adorns the left side of his matted hair. He holds his trident (trishula), symbolizing past, present, and future: and his hourglass drum (damaru), the union of male and female principles, from whose intermingled rhythms all the vibrations of life spring forth. He has a noose, called pasha, to catch and hold his devotees, and a number of weapons with which to fight: a bow – pinaka, an arrow – ajagava, a spear – pashupata, an axe – parashu, a staff or danda, and a club in which a skull is set, named khatvanga.
Shiva also has a cobra around his neck. This represents the kundalini, the life energy present in every human being, rising to its peak, having been set free by yoga. Kundalini literally means “the Coiled Serpent.”
The worship of Shiva
The worship of Shiva is as diverse as his many manifestations. Devotees may offer flowers, vilva leaves and milk. Yet the aghoris also offer feces and urine to Shiva! Usually, the focus of the worship is the linga, an ellipsoidal form, usually crafted out of stone, that is properly energized and consecrated. Applying sacred ash or vibhuti is also part of the worship. The vibhuthi may be prepared from the cremation ground ashes, burnt cow-dung or burnt rice husks, depending on the purpose for which it is to be used.
The festival of Mahashivratri, the “Great Night of Shiva” is celebrated in his honor and is one of the most spiritually significant festivals in India. It falls on the lunar month of phalgun, which corresponds to February and March. Mahashivratri corresponds to a time when the planetary positions create an upward surge in the energies of the human body, making it a very conducive time for spiritual evolution. Guru Poornima is also a festival celebrated for Shiva as the first Guru. The festival falls in the lunar month of Ashada in July.

Shiva as Nataraja, the aspect enshrined in the Chidambaram Thillai Nataraja Temple.

Several temples where Shiva is enshrined in various aspects are considered the most important sacred sites in India. The Chidambaram Temple for instance enshrines Shiva as Nataraja. The Kedarnath temple enshrines Shiva as Kedareshvara, and the Ujjain temple enshrines Shiva as Mahakaleshvara. Kashi or Varanasi is also one of the important places in India. It known as Avimukta, or never forsaken by Shiva, and is said to be his winter place, while Mount Kailash in the Himalayas is his summer place.
Courtesy-www.allaboutbharat.org

Lord Brahma - The God of Creation



Brahma is the embodiment or personification of creative energy and figures in many myths as the creator of the world.
He is usually shown with four heads and four arms, symbolizing the four cardinal directions, the four ages or yugas, and the four Vedas, or sacred books. He is seated on the lotus of creativity and holds attributes that refer to his role as priest of the gods: a portion of the Vedas, for as the Creator he makes possible all knowledge – Brahma, in fact, is sometimes equated with the human mind and the power of thought – a spoon for lustration, for it is by sacrifice that the world came into being, a vessel of holy water – since water, being formless, symbolizes the potential for creation – and a rosary (rudraksha), signifying meditation. His color is red or pink, and he is often shown as bearded, to indicate his wisdom.
Saraswati
The consort of Brahma is the goddess Saraswati, “the flowing one.” She is the beautiful goddess of Vac or speech with its immense power, and the bestower of intelligence who protects all the arts and sciences. She represents the union of power and intelligence from which organized creation arises. She plays the vina, from whose notes the sounds of the Sanskrit alphabet flow. As the patron deity of the “Word” or creative logos, she revealed language and writing to man.
Saraswati is the patroness of learning, eloquence, music, the arts, and all forms of cultural refinement. She is the mother of poetry. She is depicted as white in color, seated on the swan, and with two or sometimes eight arms. She can be shown holding a variety of objects, including the vina, a book, a rosary, and an elephant hook, with which she catches and hold her devotees. As befits her role of patroness of refinement, Sarasvati is always most graceful. She is the deity of students, artists, and intellectuals. On her annual festival none of her devotees is allowed to read books or play an instrument. These are cleaned, placed on the family altar, and worshiped as the abodes of the goddess.
Brahma and Saraswati’s vamana or bearer is a hamsa, the swan, symbol of the freedom gained through knowledge and representing the seeker’s soul which will one day take flight to its true home.
Brahma furnishes an example of the processes of change in the Hindu way of life. In all of India only two major temples remain dedicated to this once great god. Two developments have brought this about. First, a wide, but not universal, acceptance of the idea that the world we experience has only a provisional reality and so is not created in any absolute sense. Second, once a cycle of manifestation has been set in motion, he becomes redundant. Largely ignored by human beings, he is, however, worshiped by angels and seers. And third, the belief that the supreme God (especially when thought of as Shiva) has a feminine counterpart, his Shakti or power, through which all activity takes place. The worship of Shakti – or Mahadevi, the Great Goddess – as the creative principle bringing the universe into being, has made Brahma unnecessary.
The Story of Indian Art
There is an interesting story regarding the creation of Indian art and culture that involves Brahma and Saraswati. Brahma created a variety of wonderfully beautiful and enchanting things. He created the majestic mountain ranges, the thundering waterfalls and the giant forest trees, as also the nimble deer, the colorful peacock and the exquisite flowers. He filled his creation with beauty and splendor. But he was sad!
Saraswati found him in that mood and asked him the reason for it. Brahma said, “It is true I have created all this wonder and charm and showered beauty everywhere. But what is the use? My children, the human souls, simply pass them by; they do not seem to be sensitive to all the beauty around. All this seems to have been wasted on them; their creation seems to be purposeless.”
Saraswati took the hint and told him, “Well, let me do my share in the great work. You have created all this beauty and splendor. I shall create in our children the power to respond to, appreciate and get uplifted by them. I shall give them music and other arts which will draw out of them the capacity which lies deep in them to respond to the majestic splendor and exquisite charm and wondrous beauty of all creation.”
So saying, the great Muse gave us the fine arts, in the hope that through the love of music and other fine arts man would understand something of the Divine in his manifestation.

 Courtesy-www.allaboutbharat.org

शुक्रवार, 25 जुलाई 2014

Garuda Purana Download PDF

Garuda Purana - Download PDF in English, Hindi, Sanskrit

The Garuda Puran (Purana) in English, Hindi and Sanskrit as pdf downloads.
PDF Downloads
English (You will need djvu reader to read this file. It's free and available here.)
Hindi
Sanskrit
Book Details
English
The Garuda Puran
Manmatha Nath Dutt
Society for the Resuscitation of Indian Literature, 1908
Hindi
Garud Purana
Kalyan Publishing House
Sanskrit
Garuda Purana
Editor: Pandit Shri Ramtej Pandey
Chaukhamba Vidyabhavan
About the Garuda Purana
A purana is a story about the deeds and life of a deity. They are part of the mythic literature of Hinduism, together with the epics like the Mahabharata and Ramayana. Traditionally, there are 18 Puranas, and a few lesser Puranas or Upapuranas. The 18 major Puranas include the Skanda Purana, Padma Purana, Naradiya Purana, Shiv Puran, Varaha Purana, Vishnu Purana, Garuda Purana, Bhagavata Purana, Brahmavaivarta Purana, Kurma Purana, Agni Purana, Matsya Purana, Bhavisya Purana, Brahmanda Purana, Vamana Purana, Brahma Purana, Linga Purana, and Markandeya Purana.
Garuda is Vishnu's vahana or vehicle. He is depicted as a gigantic eagle, sometimes shown as a half-eagle, half-man. Garuda is the personification of courage and immense strength. His body is said to be the color of molten gold and is composed of sacred mantras from the Vedas, which allow one to transcend the physical world. Garuda’s red beak grips the Serpent of Time and crushes it into oblivion. The fact that Garuda is the sworn enemy of snakes suggests that he is also representative of the rising of thekundalini, the coiled psychic energy at the base of the spine.
The Garuda Purana is considered a sister work of the Agni Purana. They both deal with secular knowledge and metaphysical matters, called Pari Vidya and Apari Vidya respectively. The Purana contains three samhitas or sections - the Agastya Samhita, the Brihaspati Samhita (Nitisara), and the Dhanvantari Samhita. The Agastya Samhita recounts various procedures in identifying and handling precious gems, and lists out the many countries the ancient Indians procured these minerals from. Laymen and minerologists alike will likely delight in the stories, poetic accounts and descriptions of the cutting, polishing and setting of many kinds of jewels and stones. This section also looks at the power and potency of the rudraksha mala. This is rather odd considering that rudrakshas are seeds rather than gems or stones. The Brihaspati Samhita, commonly known as the Nitisara, lists observations on practical conduct and a knowledge of human nature. This precursor to the West's thesis on morality and ethics by Francis Bacon, is formulated in excellent poetry and harmony. Next comes the Dhanvantari Samhita, which deals with medical and health matters. This Samhita even contains lists of the various kinds of fevers which create chemical changes in the blood. Also listed are various kinds of causes for leprosy, cutaneous infections and other surprising facts that western medical science has come to know of only in the last century.


Chanakya Niti (Neeti) PDF - Hindi, English, Sanskrit, Telugu



The Chanakya Niti (or neeti) in English, Hindi, Sanskrit, Malayalam and Telugu, available as pdf downloads.
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Book Details
English
Miles Davis, 1981.
Hindi
Mihir Chandra Sharma
Sanskrit
Commentary by Iswar Chandra Sharma Shastri
Telugu
Dr. Pullele Sriramachandrudu
About Chanakya Niti

In ancient India (321-296 B.C.) a unique economic policy and law were set forth by Chanakya (Vishnu gupta), who was a great statesman, economist, philosopher and law-giver. Samakaraya wrote in his commentary on Kamandaka's Nitisara, "Vishnugupta is the name given at the naming ceremony and Chanakya and Kautilya are connected with the birth-place and Gotra respectively." The name Kautilya contains to some extent, an error. The Gotra (tribal name) of Chanakya was Kutla and hence Chanakya, as a descendant of that Gotra, must be called as Kautalya. The ancient manuscripts of the Arthasastra consist of the name Kautalya. Prof. Bhandarkar opined, "for the promotion of truth and history, the name Kautilya should be discarded and Kautalya must be adopted." However, substituting the name Kautalya in place Kautilya is not an easy task as innumerable writers mention the 'distorted' name Kautilya in their books and essays. However, the name Chanakya is connected with the birth-place of Vishnugupta and has been popularly used by writers and readers."
The ancient economist wrote two books (as far as we know), the treatise called the "Arthasastra" or the Science of Economics, and the "Chanakya Niti Shastra," which laid a strong foundation 2300 years ago for the founding of one of history's greatest empires, the Mauryan Empire. Chanakya's protege was no less than emperor Chandragupta Maurya, who rose from a lowly background to carve out the largest empire India had known up to that time, and ruled it from 325 to 273 BC. His grandson was no less than Ashoka, whose monuments and symbols still stand in India and adorn the Indian flag. The Chanakya Niti is still read today by aspiring corporate strategists trying to understand the qualities of a good leader.
Chandragupta was a great warrior and adventurous king and he obtained effective guidance from Chanakya for conquering weak and mismanaged states as well as for consolidating gains and accelerating tempo of development in the empire in order to meet requirements of the government and promote welfare amongst subjects. It has been aptly remarked, "As any sudden military revolution is followed by an equally great statesman's work, a war-like figure like that of Chandragupta demands a statesman like wisdom like that of Kautilya, who alone can render the new unique empire secure, with its administrative machinery and fiscal management well founded". No doubt, Chanakya played a pivotal role in the formation of the Maurya empire and in the promotion of all round development within the empire.
Chanakya hailed from the ancient university of Takshashila or Taxila in modern-day Pakistan. He also wrote the Chankya Niti or Nitishastra, which historians say dates from the period 321-296 B.C. Its slightly archaic style is well in agreement with the claim. It is also testified by various early Indian writers. who have given quotations from it. The Chanakya Niti is a selection of sutras, pithy verses, that convey much about the ideal way of life. 455 sutras comprise the document and reflect Chanakya's astute mind and his phenomenal vision and clarity. 216 of these sutras have to do with Rajaniti, the art of governing a kingdom. These sutras may very well have played a big role in the grooming of Chandragupta Maurya and other disciples of Chanakya.
The Chanakya Niti consists of expert knowledge regarding espionage, maintenance and mobilization of army, general administration, diplomacy, management of agriculture, forestry, animal husbandry; industrial production and so forth. His contribution in the field of political science is undoubtedly laudable. He set forth his opinion regarding the elements of sovereignty, remedies against external and internal troubles of the government, enforcement of rights and duties amongst various grades of administrative staff, etc. For the enforcement of law and order in the empire, criminal and civil laws were also prescribed.
Though the book had a profound influence on various writers and rulers in Indian history, the book and its author were lost to knowledge when the British ruled India. It was only a century ago that they came to light again. A manuscript of the Chanakya's Arthashastra, and with it, a commentary on a small part of it by a writer named Bhattaswamin, was handed over by a Pandit (scholar) to the Mysore Government Oriental Library. Mr. Shamasastry published the English translation of the text in 1915 (J.F. Fleet, 1914, Introductory Note, Kautilya's Arthasastra translated by Dr. R. Shamasastry). The original text consists of some obsolete words. Credit goes to Dr. Shamasastry for translating the contents in English and bringing it to the notice of scholars and the general history of ancient India. Second and third editions were published in 1923 and 1929.
Translators accept that perfect translation and a correct interpretation of the text is a difficult task. Dr. Shamasastry writes "Still I shall feel highly rewarded for my labors, if it proves a stepping-stone for others to arrive at a correct interpretation. For want of necessary diacritical marks, the translation of the Sanskrit words could not be made as thorough as it ought to be." The difference in the translation work of scholars are due to difference in interpretation by the concerned translators. Although possibilities lie that in future the new translations by erudite scholars might point out some new interpretations. Most likely, in spite of a few differences in the interpretations of those erudite scholars, there does not arise the possibility of adverse affects on the basic contents of the book.


Vishnu Sahasranama - PDFs in English, Hindi, Sanskrit, Telugu


The Sri Vishnu Sahasranama in English, Hindi, Sanskrit, Telugu, Tamil and Malayalam, as a pdf download.
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Book Details
English
Translated by R. Ananthakrishna Sastry
Theosophical Publishing House, 1927
Telugu
Translated by Pandu Ranga Rao
T.T.D. Tirupati
About the Sri Vishnu Sahasranam
Of the trinity of Brahma, Vishnu and Shiva, Vishnu embodies the energy that preserves or sustains creation. He represents the maintenance force that keeps creation going. He is the preserver of life and the existence itself. The Vishnu Sahasranma Stotras are prayers addressed to Vishnu and invoke him with a thousand names. Sahasranama Stotras to many deities are found scattered throughout the Puranic literature, and the most important of these are the Sahasranamas of Devi, Vishnu and Shiva.
The Vishnu Sahasranama is considered as important as the Vishnu Puran, and contains 142 verses, and is extracted from the Anushasaka Parva of the Mahabharata in Chapter 1 of the epic in a dialogue between Bhishma and Yudhishtara. It is held in great veneration all over India, and is recited by people across all classes of society. Miraculous virtues are attributed to it and are assured by the author Vyasa himself.
The ancient custom, still observed in the villages, especially in South India, is to repeat each name of the Sahasranama, offering Tulsi petals or any available flowers of the season before the idol of Vishnu in his various incarnations of Rama or Krishna. People generally recite the names to fulfill their desires or ward off evil influences. Many people also recite teh names while sitting before the idol, and keeping a plate of bhasma or vibhuti or sacred ash with them. merely repeat the whole book sitting before the idol with Bhasma (sacred ashes) in a plate by their side, which is afterwards distributed among the village people.


Vishnu Puran - Download PDF in English, Hindi, Sanskrit, Telugu



The Vishnu Puran (Purana) in English, Hindi, Sanskrit, Telugu and Bengali, available as pdf downloads.
PDF Downloads
English (proofed by sacred-texts.org)
Hindi
Bengali
Sanskrit
Telugu
Book Details
English
The Vishnu Purana: A System of Hindu Mythology and Tradition
Horace Hayman Wilson
Trubner, 1870
Sanskrit
Vishnu Purana with Vishnuchittiyam commentary
Vishnuchitta Alwar (also known as Engalalvan), edited by PB Annangaracharya
1972, Kanchipuram
Telugu
Vishnu Puranamu
K. Bhavanarayana
1930
Bengali
Kaliprasanna Vidyaratna
1926, Shri Sitanath Ray and Sons
About the Vishnu Puran
A purana is a story about the deeds and life of a deity. They are part of the mythic literature of Hinduism, together with the epics like the Mahabharata and Ramayana. Traditionally, there are 18 Puranas, and a few lesser Puranas or Upapuranas. The 18 major Puranas include the Skanda Purana, Padma Purana, Naradiya Purana, Shiv Puran, Varaha Purana, Vishnu Purana, Garuda Purana, Bhagavata Purana, Brahmavaivarta Purana, Kurma Purana, Agni Purana, Matsya Purana, Bhavisya Purana, Brahmanda Purana, Vamana Purana, Brahma Purana, Linga Purana, and Markandeya Purana.
The Vishnu Purana is notable for providing the chart for the measurement of time in the Hindu way of life. This is given as follows:
kashtha - 15 twinklings of the eye
kala - 30 kashthas
muhurtta - 30 kalas
ahoratra (and vara or tithi) - 30 muhurttas; a human day and night
masa - a lunar month; 30 human days
paksha - half of a lunar month; 15 days waxing and 15 days waning
ayana - 6 human months; 180 days
2 ayanas - human lunar year of 360 days
southern ayana - night of a deva (god); human lunar half year of 180 days
northern ayana - a day of the gods human lunar half year of 180 days
sandhya - period that precedes each yuga, it lasts for 400, 300, 200, and 100 divine years, depending on the yuga
krita-yuga - 4,000 divine years; 1,728,000 human years (144,000 +1,440,000 +144,000)
treta-yuga - 3,000 divine years; 1,296,000 human years
dvapara-yuga - 2,000 divine years; 864,000 human years
kali-yuga - 1,000 divine years; 432,000 human years
chatur-yuga (four yugas) or mahâyuga - 12,000 divine years; 4.32 million human years
manvantara or mahâyuga - the reign of a 4.32 million human years of Manu
ardha-kalpa - a half kalpa, the night or day of
 Brahma, 1,000 mahâyugas; 4.32 trillion human years
kalpa - 2 ardha-kalpas; a day and night of Brahma; 8.64 trillion human years
a day or night of Vishnu - 1,000 ardha-kalpas; 4.32 quadrillion human years
a day and night of Vishnu - 2000 kalpas; reign of 8.64 quadrillion human years
a year of Vishnu - 360 Vishnu days and nights
mahâkalpa - 100 Vishnu years, a VIshnu lifetime; 3.110417
 human years
laya - the destruction at the end of a manvantara or mahayuga
pralaya - after each day of Vishnu, a dissolution of the universe
mahâpralaya - the great dissolution after the lifetime of a Vishnu
srishthi - creation (literally, “discharge”)
prasrishthi - creation before each kalpa
mahaprasrishti - great creation before each Brahma
mahaprasthiti - the entire period of evolution in the lifetime of one Vishnu
Vishnu is one of the more popular gods of Hinduism in recent centuries, primarily in his form as Rama and Krishna. His importance emerges clearly in literature such as the Ramayana and Mahabharata, where he is depicted sending a portion of himself to earth to take human form (as Rama and Krishna, respectively) to restore Dharma and defeat the forces of disorder. He is regarded as having responsibility for maintaining the world, Brahma acting as creator and Shiva as destroyer.